The year was 1987, Brazil was just exiting a long military dictatorship, and indigenous writer Ailton Krenak stood before the country’s constitutional assembly in a pristine white suit, smearing black paint across his face.
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The year was 1987, Brazil was just exiting a long military dictatorship, and indigenous writer Ailton Krenak stood before the country’s constitutional assembly in a pristine white suit, smearing black paint across his face.
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